s.p.balasubrahmaniyam

"Dedication helps singer to reach pinnacle of Success"

Somehow the wors "gentleman" sounds a bit inadequate for a person of his
decorum, refinement and humility. But for want of a better word in the English
language, it will have to suffice.

Sripathi Panditharadyula Balasubramaniam or S.P.B., for the Indian music
lovers, is a charming unassuming gentleman of 48, whose achievements have not
only beennn phenomenal but also have transcended regional barriers. If he is
singing less Hindi songs than he was four years ago, it is by choice - because
Balu, as he is known in the film industry, has curtailed his quantum of singing
in not only Hindi, but also Telugu, Kannada and Tamil films. Telugu is his
mother tongue.

"I have been selfless to my profession", he says, "My normal schedule
was: dubbing gtom 7-9am, shooting till 1 pm, dubbing again till 3 in the
afternoon, shooting again till 6pm and singing from 6-11pm. Except for the two
months every year when my wife and I used to take a total break and head
for the United States where my children are based. I hardly had time for her
and for relaxation. After Maine Pyar Kiya (89-90), I was dividing a month
equally between Bombay (doing eight or more songs in a day), banglore (for
Kannada films) and Madras (for the other three southern languages). The strain
began to show. My throat developed a 'polyp' singer's nodule) which had to
be surgically excised."

SPB, therefore, feels that it is time for him to be "selfish", look after his
voice and interests, and may be fulfill his dream of mastering
classical music, he told India West in a recent interview.

Since he hasn't learned classical music, what are his credentials as a musician
(he is a music director too, and specially loves doing background scores,
like he did for the Hindi films Hum Panch and Mache Mayuri, at the
recommendation of the composers Laxmikant-Pyarelal) and a singer?

"A good ear fot music and a penchant for listening", smiles the singer amiably,
"I learnt notation on my own and can, to an extent, play the harmonium and the
flute" (that puts him in the Kishore Kumar and K.L.Saigal league of
self-trained singing genuises). "In my home-town Nellore, in Andhra Pradesh,
my father earned his living reciting HArikatha (stories about God and religion)
at social and religious gatherings. He knew a little classical music and
I guess I must have inherited his flair."

The father was keen on an academic career for young Sripathi, and the boy
himself set out to do so, even joining an engineering college in Madras, but
once SPB's interest in singing was confirmed his father advised him to make a
choice on his own.

Destiny made him bid good-bye to the engineering course when (at a college
function) his voice caught the attention of music director Kodandpani. "He
asked me if I would like to sing for films. I agreed. And that's how I entered
films - by accident." His mentor even took him to other composers and made them
listen to his singing. "If it hadn't been for him, there would no Bala. Simple"
he says matter-of-factly.

Today, the singer has a modern recording studio in Madras named after
his mentor. "It was the least I could do in his memory", says Balasubramaniam.

Once he had made his choice, Balu purused success single-mindedly. Every
struggle saw him become more determined, and every pitfall increased his
determination. His single-mindedness was strengthened by his early fondness
for yoga.

Though his first song recording in December 1966 was for a Telugu film
called "Sri Sri Sri Maryada Rammana", he had to struggle for two years more
before making it in Tamil films, as initially the famous composer
M.S.Viswanathan found his diction faulty. Then came his Malayalam break under
the famous composer Devarajan. Says SPB:" I was introduced to that great man
by Sekhar, father of A.R.Rahman." Meanwhile, he also got a break in Kannada
films.

His Hindi break, of course came when filmmaker L.V.Prasad decided to make
"Ek Duje Ke Liye", the telugu remake of Marocharitra, a love story between
a south Indian boy and a north India girl. "As Kamal Hassan was playing
a south Indian boy, I accepted the challenge since I knew HIndi reasonably well
- it was my second language in school all through - and I had grown up listening
to K.L.Saigal, among others. I was a HIndi film music buff but worried about
my accent. I was introduced to Laxmikant-Pyarelal who had a couple of sittings
with me and they made me sing Hindi songs. They liked me and I sang all the
five songs for Kamal in the film."

He has sung some 26,000 songs to date and has recorded songs in Tulu, Oriya
and Bengali languages also.

His list of awards and distinctions is extensive, but SPB had to struggle
for eight years in Hindi films too. "Anyways, sensations fixxle out fast," he
pointed out with another of his disarming smiles.

After Ek Duje..., L-P continued to give him many songs and followed by
R.D.Burman and Bappi Lahiri, who also gave him a change in Hindi films. "Ek
Duje..." itself wrote commercial and musical history in 1981. "But though I did
sing for heroes like Jeetendra, Anil Kapoor, Govinda, Mithun and even Dharmendra
and Rajesh Khanna, I feel I was identified only with southern heroes like Kamal
(whose career soon nose-dived in Hindi films) and Rajnikant whose forte was
action, not songs."

It was only in the late 1980s when the Rajshris introduced him to a
small-fry composer with big ideas - Ramlaxman, an ardent bhakt of SPB that SPB
finally got a full-fledged chance to identify his voice with a hep, young
now-generation Bombay hero like Salman Khan in "Maine Pyar Kiya". "This would
seem like the most probable answer to the million-dollar question as to why
"Maine Pyar iya" did for me what "Ek Duje Ke Liye" could not." The thundering
success of the film and its music and the fast shift from disco to melody at
that time did the rest. "I think the time should come for everything to happen,"
he sums up.

In the post-Maine Pyar Kiya phase, SPB sang most of his present tally of
around 400 HIndi film songs, most of them under Anand-Milind and Ramlaxman.
Among his hit songs were those songs in
Vansh, Prem Qaidi, Chandramukhi, Love, Mera Pati Sirf Mera Hai (Anand-Milind),
Pathar Ke Phool, I love you, 100 Days, Hum Apke Hain Koun (RamLaxman),
Saajan and Majhdaar (Nadeem-Shravan),
Gardish (R.D.Burman),
Andaz Apna Apna (Tushar Batia), and
Roja, HUmse Hain Muqabla (A.R.Rahman ).
Strangely, during this phase, the music directors who had earlier stood by him,
L-P, RDB and Bappi Lahiri took him sparingly.

"It is again because of time," sums up the singer. "LP have paid me
the unforgettable compliment of calling me the most talented and versatile
singer around and have given me many of my finest songs. RDB was a great
composer and he has been the most versatile music director. He was also the
first Bombay composer to use my voice after L-P. For Bappi Lahiri, I do sing
occasionally."

SPB's list also includes Rajesh Roshan, NiKhil-Vinay, Jatin-Lalit and
Anu Malik, who at time called his singing gimmicky. "No gimickry can cover up
an incorrect accent," discloses SPB in answer to the charge often levelled
against him. "Besides, I cannot do that in every song, like say a sad song,
and in case I cannot indulge in it without the sanction of the composer and
the director." Anu Malik's songs for him include "The Gentleman" hit
"Roop Suhana Lagta Hai" and others in "Haathkadi" and "Shabnam".

About his accent, Balu admits that he has not reached perfection despite
the great improvement he has made over the years. "But singing is basically
an art of expressing and conveyting a particular thought. The knowledge of the
language or atleast the meaning of the words one is singing is very important,
for without that the song will have an incorrect feel, and the singer cnnot put
in much feeling," he observes. "When I sang in Bengali, Tulu and Oriya, I
made it a point that they should explain the full meaning of the lyrics to me.
That way, accent becomes secondary."

The fact that the talent to sing is paramount and the accent is secondary
was proved when SPB got an oppurtunity to sing under Naushad in "Tere Payal
Mere Geet". "To sing for a purist like him was distant dream for me," recalls
Balu, adding, "But it became a reality when Uttam Singh, the arranger who works
for RamLaxman, Ilaiyaraaja and Naushad introduced me to him. I had my doubts
about my being able to satisfy his exacting needs. But I thought I should
atleast sing in his presence because if he rejects me that would also be
a privilege." But after listening to him, Naushad went ahead and
recorded songs. He also complimented Balu lavishly and affectionately "on my
singing and faultless diction." It was the greatest compliment he received
in his entire career, the singer said.

Balasubramaniam's special asset has always been his lightning grasp of
a composition given to him. This, along with technological advances like
dubbing, is responsible for his phenemonal output. "When I come to Bombay,
my secretary arranges my callsheets (dates in Bombay lingo) so that I dub as
many tracks as possible. For example, in a duet, the music track and the other
singer's track are kept ready." SPB favors these technical advances for this
and two other reasons. "If you make a mistake, that portion can be punched in
and you don't have to repeat the entire song. And secondly, the final take can
be perfect. Earlier, minor mistakes had to be retained because of the
difficulties in doing the entire song again."

However, the disadvantage has been that with very few exceptions, Balu
has had very few exceptions, Balu has had very little oppurtunity to sing
"live" with this very good friend Lata Mangeshkar.

"But all our songs in "Ek Duje Ke Liye were recorded live," he says. This
also vindicates his stand on modern gadgetry. For between thm, the peerless
Lata and the superb SPB have complemented each other so beautifully in their
many duets that no one would have believed that they had dubbed them
separately.

Balsubramaniam toured with Lata Mangeshkar during her tour of the U.S.
recently. Both Balu and Lata attended the AAPIO annual program in July which
President Clinton inaugurated in Chicago.

Apart from singing and music direction, Balu is also an actor. When he was
44, "by a freak chance, a film called "Keladi Kanmani" in which I had my first
major role became a huge hit and I was flooded with offers," he grins. "Acting
gives me a break from singing all the time. Besides, anyway we act in front of
the mikes."

Recently, SPB was great as Prabhu Deva's cop-brother in Kaadhalan (dubbed
in Hindi as "Humse Hain Muqabla"). Balu admires A.R.Rahman, but his all-time
idol is M.S.Viswnathan, and R.D.Burman on the Hindi scene. Among the old-timers
from Bombay, he rates S.D.Burman, Madan Mohan, Roshan, Khaiyyam and Jaidev
very highly. While he is a great fan of our singing greats, among his
contemporaries, he has raves about Suresh Wadkar. He loves jazz, but not disco,
and his hobby is photography - time permitting of course.

Subramaniam's wife Savithri is, he says: "A good listener." His son is
studying in New York, while his daughter has completed her studies in radiation
therapy, also in the U.S.

And so the singer strides on, charming millions of fans with his soothing,
unique and melodious voice, and taking time out to act and compose music as
well.

He decisively rates "Aate Jaate" as "Maine Payar Kiya"'s best song, even
though he got a National Award for "Dil Diwana," and regrets that he did not
get any national award for his songs in "Hum Aapke Hain Koun"! But he is also
happy for Kumar Sanu, who swept all the awards for "1942: A LOve Story."

SPB is too much of a nice person to bear petty grudges.
http://www.geocities.com/~sm0e/R-spb.txt

Song - Na Na Na Kache Esho Na
Movie - Ekanto Apon
Singer - S.P.Balasubrahmaniyam & Asha Bhosle
Composer - R.D.Burman

This is the video which shows Padmanabhan Kumar singing along with the living legend Padmashree Dr.S.P.Balasubrahmaniam after qualifying for the semifinals in Hamam Nalangu Maavu Ennodu Paattu Paadungal

Dear SPB Fans,

Last week's “Koffee with Anu” had our SPB & GangaiAmaran as the main guests with SPB.Charan (SPB’s son) and Venkat Prabhu (Gangai Amaran’s elder son) joining them later in the program.

Many of you would have seen this program on TV but there might be quite a few who would not have been fortunate enough to see it on TV. So, for the benefit of these fans and also for the benefit of all the other state fans, I am presenting this write-up in English accompanied by an audio recording (Tamil) of this program. (thanks to Covai Ravee for providing the audio file of this program)


The program was very hilarious with both SPB & GangaiAmaran opening out without any inhibitions and indulging themselves in lot of leg pulling and pranks just like children. It was indeed a delight to watch them lashing out at each other jokingly and in turn making us laugh a lot. The anchor “Anu” did a great job conducting the show joining the freaking out. Now, go ahead and read this article on this program. Our SPB was really very natural in his talking and narrations and he was really very excited and honest about everything. He was his usual self, joking a lot. His expressions at many places were cute and enjoyable. The intimacy he had with GangaiAmaran showed in the way he addressed him as "Vaadaa" "Poadaa".
The program also brought the care that our SPB had for his son and alos GangaiAmaran's son encouraging them in all their endeavours. This also made clear the background to his friendship with IlayaRaja and BharathiRaja and their intimacies.


To start off, I will follow the same format of the program meaning Q&A format as it would give a feeling of having seen the program.


The hostess for this program was Anuhaasan the daughter of Charuhaasan (Kamalhaasan’s brother).


She first gave a brief about the person to be invited as guest. Her words were “laughter, mischief, sadness, sorrow, love, romance – give him any emotion and he brings it into his voice effortlessly. Such a distinguished person is our first guest. He has sung more than 36,000 songs and found a place in the Guinness Book of World Records. I am talking about none other than the most versatile, supremely talented and most beloved SP Balasubramaniam”. With these few words, she welcomed our SPB. There were brief exchanges of greetings and then the program started off.


Anu: Sir, I feel very happy to see you.

SPB: Thanks

Anu: I will ask you a question now. The usual boring question. How is that you maintain your voice


SPB: I pledge that I have never maintained my voice. I am indeed afraid to say that lest all others

will follow it. I have no restrictions. Without ice water, I cannot live. I cannot be without cool

drinks and I eat lot of sweets. Normally, they do not take curd since it tastes sour but I cannot be

without curd. Only thing I don’t do is that I am a vegetarian. I have been smoking, nobody knows, for

about 30 years, only recently I stopped smoking. Everybody has the blessing of their parents and Guru.

I think I have received more than my share.

Anu: Is that so. Did you have the aspiration to sing right from your childhood?

SPB: No. It is a peculiar story. I wanted to become an Engineer. Wearing that Khaki dress, going around

in a jeep with a driver, earning Rs.500 which was a big amount those days and being in a government job

– this had been my wish. It has no relation now. I had written the screen play but HE (meaning God)

refused to direct it (Anu laughs out heartily). HE himself had written the screen play for me. It is an

accident that I have become a singer. I had taken part in a competition for fun when Janakiamma asked

me. What would have happened was that if I had won that competition three times in a row, I would have

got to retain the shield. But somehow there was some politics and they gave second prize and announced

the other boy as the first prize winner. Janakiamma had come to that place on that day to give away the

prizes. We two had to sing the songs in front of her and after hearing it, she felt angry saying that

“even though the first prize winner was good, the second prize winner (our SPB) was better than him and

he should have actually been given the first prize”. Already I was awestruck seeing her and hearing her

recommendations chilled me. She then called me and asked where I was. I told her that I was in Madras

(now Chennai) only and doing my AMIE. Why don’t you try in cinema, she asked me. I was 17 or 18 at that

time. No, No. that is not possible I said. She asked me why. I told her that I did not know music, I

have not learnt from anyone and that I did not even know the “sa pa sa..”. Even I do not know it, am I

not singing, she said. I thought she was just joking and I told her so. After all, she had sung very

classical based songs like “singaravelane…”. She said that she had sung all that mathematically only

and did not have any swaragnanam. Oh, then I felt she was serious about me and she asked me to try. At

that time, I did not know any Tamil and I was a typical Golti, having come from Andhra.

Anu: you have learnt after that, is it not?

SPB: Nothing at all. Till now, I have not learnt it.

Anu: But you are talking very well, Sir.

SPB: So, when I went to all Telugu Music Directors, everyone told me that I was singing well but that

my voice has not matured from that of a boy. My thought was that it was not my cup of tea and moreover

Father had sent me here to study with all his difficulties. Such being my state at that time, there was

a national level contest at Andhra Club, Chennai. I knew about this contest but I had no intention of

participating as I thought I would not stand a chance and hence did not go that side at all. But my

roommate without informing me had registered my name for that contest by paying Rs.10. The judges for

the competition were Ghantasala Master, Music Directors Pendyala Nageswara Rao, Dakshinamurthy. When I

went to sing, I found that I was the first one to sing as there were no participants with names

starting with “A”. I was called first. Seeing the three great personalities, I was afraid, but closed

my eyes and went ahead. We were not supposed to sing a cine song. So, a day earlier I had composed a

Telugu song with music by myself and sang it. The competition was for three days as there were 77

competitors. Prizes were to be announced only after three days. Having completed my song, I came down

and sat among the audience waiting to see how the other competitors sang, quite sure that I would not

get any prize. Suddenly a short and fair complexioned man came to me and asked me if I will sing in

cinema. I did not even stand up as I thought he was pulling my legs, making fun of me. I told him I

will not sing. He asked me why I will not sing. I said I am not interested, I know I cannot sing. Just

singing in this contest cannot mean I can sing in cinema. He then asked me if I will sing if he gives a

chance. I realized that this man was serious, so I got up and told him that I did not know who he was.

He told me that his name was Kothandapani, a Music Director and that he had done music for 3 or 4

films. Having not seen him earlier, I did not know who he was. I told him “Sir, I had met all but no

one gave me a chance”. He then took me to a producer who also said that as I was a grown-up boy I can

sing neither for heroes nor for children and concluded that may be after 2 years I could be tried.

Mr.Kothandapani told me not to get disheartened and asked me to see him later and that he would

definitely give me a chance. Again I said that it is not my cup of tea having seen him embarrassed in

front of me and I went back to college to pursue studies. I did not give him my address. He had tried

hard to locate me and after two years, he caught hold of me in the college and got me back and gave me

my first chance for a Telugu movie.


Anu: All is written on the forehead, is it not, as you said earlier. Now you are singing confidently,

is it not?
SPB: I pledge it is not so. Before I went to the mic to record my first song, an amazing incident

happened. We had two days rehearsal for my song and the call sheet was for 2pm at Vijaya Studios. I was

told that a production car would be pick me up and was asked to come over. Among the three pair of

dresses I had, I liked the pair of white trouser and shirt. I had it dry washed and was waiting for the

car along with my friend Murali, he is still working as an assistant recordist at my recording studio.

(The Kothandapani Studios in Chennai belongs to our SPB). The time just scrolled on 2 to 3 to 4pm, the

car did not turn up. I thought they had not liked my singing in the rehearsal and hence had not sent

the car. I started undressing but my friend said we will go to the Studio. I said no. If they wanted me

to sing, the car would have come. But he said that we will go. Both of us had cycles, so we went to

Vijaya Gardens. What to tell, there was a Gurkha standing there, later he became my friend which is

another story. He asked me “kya chaayiye”. My friend told that I had come to sing. It is normal for

many to turn up at Studios looking for a chance. The Gurkha asked us to leave and do our studies. I was

in tears. What my friend did then was to inform the Gurkha that he would leave our two cycles along

with me at the entrance and that he would go in and get the production man outside. The Gurkha thought

about it and finally let him in. At that time there was no mode of communication for me like phone,

cell phone etc. The production man came and took me inside. The Music Director (Kothandapani) was angry

and told me that they had been waiting so long for me to come. I told that the car had not come. He

told me that the car had actually met with an accident and the driver who was in the police station did

not know how to convey this and that’s why. When I finally went before the mike, the Producer (comedian

Padmanabhan) came over to me and said that I had been singing well. However he said that if at all, my

voice did not come out well on the mic, they would then use Ghantasala Master to dub the song. Being

already exhausted, hearing these words further brought me down and I recorded the song in that state

itself. After the completion of my bit they had to record the other bits, it was a live orchestra with

about 30 to 40 musicians I sang in the same hall as the other musicians, there was no separate cubicle.

After the recording, there was no information from inside and I thought I was out of it. Meanwhile,

Susheelamma came and said that it was OK and maybe for a change they were discussing to have one more

take. Suddenly everyone came and informed that the take was OK and congratulated me. That was how it

happened and I had a payment of Rs.150 which was a big amount and it started off like that

Anu: Well, we thought about collecting some background information on you. Instead, we felt it would be

better to invite your close friend to this show who will tell all your secrets.

SPB: Yaah that’s right. He will be the one to tell all my secrets

Anu: To tell about lot of secrets of Sir, his best friend will be coming now. So, our next guest, who

is sailing on the ever floating ship of SPB that is friendship, your (meaning SPB) best friend, the

very talented GangaiAmaran. I am very happy to welcome GangaiAmaran to this show.

s.p.balasubrahmaniyam & chitra (1997)

s.p.balasubrahmaniyam

s.p.balasubrahmaniyam

Start:	Mar 23, '07
End:	Mar 31, '10
Location:	http://spbindia.blogspot.com/2007/03/unsungspb-kanne-kalaimane-moondram.html

Hi SPB Fans,

From Now I will be posting Unsung_SPB Album SOngs. These songs were posted earlier on this blog by Sundar, I am posting them again for Ravee anna, who approached me for this.

I was seaching for SPB hindi songs in "Planet M" in June 2005, suddenly my friend showed me SPB Unsung CD. I Checked all songs, but only Hamma Hamma song was known to me. I bought that CD & Really loved all the 14 classics by our SPB. Later I Collected the Original Soundtracks also for the Unsung SOngs. SPB has sung all songs in his own style.

I sent a mail to our Guruji & asked him to release a Hindi Album same like Unsung. Guruji replied,

"Dear Vikas,

Regarding the tamil songs to be made in Hindi, there are lots of
hurdles. We need the permission of the original producers and music
directors. Most of them ask for royalty. These are headaches.
I am very grateful for your love.
God bless you.
SPB.

UNSUNG_SPB

1 Devan Koil Maniosai Mani Osai Dr.Seerkali Govindharajan
2 Ennai Thalatta Kathaluku Mariyathai Sri. Hari Haran
3 Hamma Hamma Bombay Sri.A.R.Rahman
4 Kalaiyim Neeye Then Nilavu Sri.A.M.Raja
5 Nilave Ennidam Ramu Sri.P.B.Srinivas
6 Poongattru Thriumba Muthal Mariyathai Sri. Malesiya Vasudevan
7 Rasaththi Unnai Vikeyi Kathirunthal Sri.K.Jeyachandran
8 Sollathan Niaikiren Sollathan Niaikiren Sri.M.S.Viswanathan
9 Thenpandi Seemaile Nayagan Sri.Ilayaraja
10 Orunaal Pothuma, Dr.Balamurali Krishna
11 Paavadai Thavaniyil, Sri.T.M.Soundararajan
12 Kanne Kalaimaane, Dr.K.J.Ysudass
13 Thooliyile Addavantha, Sri.Mano

Today Posting Kanne Kalaimane song from movie Moondram Pirai ,sung by SPB originally sung by Dr.K.J.Ysudass in Tamil & Hindi Also. SPB has sung this song in his own style.

Sadma was the Hindi language version of the Tamil film Moondram Pirai (1983). Both versions are considered classics of Indian cinema, with Moondram Pirai considered one of the best Tamil Popular films ever made. Sridevi has been quoted as calling Moondram Pirai for which she won the National Film Award for Best Actress 1983, her all time favorite role.


Listen to it and Enjoy 3 Songs
1. Kanne Kalaimaane, Dr.K.J.Ysudas
2. Surmayi Akhiyon Mein - Sadma (Hindi version), Dr.K.J.Ysudas
3. Kanne Kalaimaane, Our Guruji


Movie: Moondram Pirai
Song: Kannae Kalaimane
Lyricist: Kannathaasan
Music: Ilaiyaraaja
Singer: K.J.Yesudas & SPB (Unsung)
Actors: Kamal hassan, Sridevi

Kanne kalaimane kanimayilene
kanden unai naane.. (2)
andhi pagal unai naan parkiren.
aandavanai idhai thaan kedkiren
raariraro... oraariro...
kanne kalaimane .

oomai endral oruvaagai amaidhi..
ezai endral adhil oru amaithi..
neeyo kilippedy .. pan padum
aanandha kuyipedu...
eno dheivam sadhi seithadhu,
pethai pola vidhi seithathu ...
kanne kalaimaane

kaadhal konde kanavinai valarthen
kanmani unai naan karuthinil ninaithen
unakke uyiraanen ennalum
enai nee maravaathe....
nee illamal edhu nimmadhi
neethan endrum en sannadhi..
kanne kalai mane


Movie: Sadma (1982)
Song: Surmayee ankhiyon main
Lyricist: Gulzar
Music: Ilaiyaraaja
Singer: K.J.Yesudas
Actors: Kamal hassan, Sridevi


Hindi Lyrics:

Surmayee ankhiyon main nanha munna ek sapana de jaa re
nindiya ke udate paakhi re, ankhiyon main aaja saathi re

raa rii raa ram o raaree ram

sachcha koi sapanaa dejaa
mujhako ko apana dejaa
anajaana sa magar kuchh pahachaana sa
halka phulka shabanami
resham se bhi reshami

Surmayee ankhiyon main nanha munna ek sapana de jaa re
nindiya ke udate paakhi re, ankhiyon main aaja saathi re

raat ke rath par jaane vaale
neend ka ras barasaane vaale
itana kar de ke meri ankhain bhar de
ankhon main basata rahe, sapana ye hansata rahe

Surmayee ankhiyon main nanha munna ek sapana de jaa re
nindiya ke udate paakhi re, ankhiyon main aaja saathi re